Marianne Walker makes three-dimensional drawings that are heavily informed by the material remains of the past. She uses paper-clay to make fragmentary body parts and then draws across them using ink and pencil. The objective is to escape the rectangular page and push the two-dimensional medium of drawing into becoming a three-dimensional entity that can confront a viewer. The democratic nature of drawing, with its agency and egalitarian materials is important. Equally important is the incarnatory aspect of drawing in making ideas manifest.
